We Make Money Not Art is a blog that focuses on the intersection between art, science, and social issues. Created in Marchwe-make-money-not-art. The blog is a personal one; it features interviews with artists and scientists, book reviews, reports from media art festivals as well as accidental explorations of contemporary culture at large. She writes and lectures internationally about the way in which artists, hackers, and designers use technology as a medium for critical discussion. She also created A. Artists in Laboratoriesa weekly radio program about the connections and collaborations between art and science for the radio station Resonance making money not art broadcasts on This publication communication reflects the views only of the author, and the European Commission cannot be held responsible for any use which may be made of the information contained. Site areas: To contents: Accesskey 0.
Once upon a time, in a land of sun far away, there lived a company that was famous for making sweet, fluffy, lovable things that always ended happily. But, strange to tell, the boss of that cotton-candy kingdom called Disney was not like his products. For sitting at its centre, according to his closest ex-associates of which there are more, seemingly, by the day is Michael Eisner — a rapacious, soulless, obsessive micromanager, interested only in making a quick buck. Such have been the epithets hurled at Mr Eisner as he has moved, with a ruthless brilliance, to consolidate his iron grip on Disney’s board of directors and purge every last doubter and naysayer from his midst. Roy Disney, nephew of the legendary Walt, is the most prominent of his latest victims, and also the loudest to complain, thanks to the invective-spewing, three-page resignation letter he chose to leak to the press at the beginning of the week. In it he wrote that Mr Eisner was the one who should be resigning, instead of him. But he is far from the only one feeling out on a limb. Two other long-standing board members, Raymond Watson and Thomas Murphy, were also shunted aside, while a third, Mr Disney’s personal financial adviser, Stanley Gold, resigned in a fit of pique. He took his drastic action rather than put up with the humiliations Mr Eisner has heaped upon him ever since he raised his voice in opposition, more than a year ago.
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Régine Debatty (BE)
An interview with a photographer who shoots CIA ‘black sites’ and covert satellites. An exhibition in Madrid explores how people use and create the space outside the planned limits of cities. A gripping exhibition looks at how has fear evolved in the modern human experience. Tucked away in the Royal College of Surgeons in London is a little museum with big surprises. These eye-catching headphones filter external sounds to compose noise from the environment, rendering it «differently familiar. In this exhibition, Paul Granjon turns obsolete gadgets into robots and other artefacts. A new art installation in London’s Spitalfields tries to raise awareness about the disappearance of bees and their unique social organization. The mathematical, kinetic, and geometrical art of Conrad Shawcross on display in London. The fascinating story of an early pioneer of electronic music, the first woman to design and construct an electronic musical instrument. Regine Debatty interviews artist, illustrator, and art director Genevieve Gauckler, about a new exhibition at MU in Eindhoven. Le Cadavre Exquis is among this year’s winning proposals of Making Future Work, an initiative to commission digital innovation research in the East Midlands. Related Reports. Innovation WMMNA: The Nonisolation Headphones These eye-catching headphones filter external sounds to compose noise from the environment, rendering it «differently familiar.
Tracey Emin has taken aim at money-obsessed male artists who endlessly churn out versions of the same work in order to make even more money and buy bigger houses. Emin was addressing the Hay literary festival in Wales, where she spoke about happiness, her work, her legacy and politics. They get a bigger house, they sell it. They get another house, they make some more work, they make more of the same work — that is what their fucking life is Being an artist is about making art, not about making money. She would not be drawn on who she meant.
The Mandalorian Could Use a Watson
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If you are lucky enough to create art that people are willing to pay for, I have a concept to share that had an enormous impact on me: Profit equals permission. People in the artistic community sometimes see money as somehow mojey. The art should be its own reward, the thinking goes. And having it puts you one step closer to quitting your day job or having your art be your day job for a while longer. You can still be an artist. Is that how you want things to be? For them, the goal is to have the financial freedom to give the art the attention it deserves. A few years ago, I began selling digital versions of my sketches. This started by accident, really. Someone asked me to buy a sketch to use in a presentation.
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